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Elisabetta de Gambarini

Born: September 7, 1731, London, England
Died: February 9, 1765, London, England

 

BIOGRAPHY    MUSIC    SOURCES

Elisabetta de Gambarini, in a letter from 1761, wrote she was "born in London, could speak English, French, Italian and German and had composed many pieces of music particularly an ode on his Majesty's birthday.” Her mother taught music to children of the aristocracy and her father, of Italian ancestry, was a counselor. Gambarini was best known as a mezzo-soprano, singing in the premiere performances of two Handel oratorios: Occasional Oratorio (1746) and Judas Maccabaeus (1747). She also performed in Samson and Messiah, also by Handel. As a composer, Gambarini wrote 3 volumes of lessons for the harpsichord which were printed in London and sold from her home. Lessons for the Harpsichord, Intermixed with Italian and English Songs, op. 2 was dedicated to the Prince of Wales. The year before her premature death at 34, she was credited with performing a concert of organ music that she composed herself. It is presumed that she enjoyed painting but further details of her life and career are unknown.


Music

The following selections are recommended for vocal study and programming on recitals and concerts.
Please note that this list may not constitute the entirety of the composer's output. 

 

 

Chi cerca di piacerim (Canzonetta, 1748)

Se mai fosse (Canzonetta, 1748) 

Un giorno più chiaro più caro dite (Song, 1748)

Se dir non lice al mio tesoro (Song, 1748)

 

Sources

Bachus, Nancy, and Daniel Glover. The classical piano: the influence of society, style, and musical trends on the great piano composers. Alfred Publishing, 2006. 

Dean, Winton. “De Gambarini, Elisabetta.” Grove Music Online. Oxford Music Online. https://doi-org.libproxy.temple.edu/10.1093/gmo/9781561592630.article.10600

Glickman, Sylvia, and Martha Furman Schleifer. From Convent to Concert Hall, A guide to Women Composers. Greenwood Press, 2003.

Mathiesen, Penelope. "Elisabetta de Gambarini: The Vocal Option." Continuo: the Magazine of Old Music. XVI/2 (1992), pp. 2-5