Sophie Gail

Born: 28 August 1775, Paris, France
Died: 24 July 1819, Paris, France

 

BIOGRAPHY    MUSIC RECORDINGS SOURCES

Sophie Gail (Edmée Sophie Garre) a fine singer, accompanist, and composer, lived her short life in Paris. Her father was a famous Parisian surgeon who served the king; her mother had several important positions in the king’s administration. Gail was overtly musical and began studying piano and composing her first song when she was 14. Some of her songs can be found in the song magazines of Louis de la Chevardière and Antoine Bailleux. She studied music theory with F. J. Fetis and Sigismund Neukomm.  Her singing teacher, Bernardo Mengozzi, a professor at the Conservatory, prepared her for a concert tour in England, Spain, and southern France. To perfect her skills, Gail held salons back in Paris so she could be surrounded by other musicians while working on her music and performing.

Renowned for writing romances, solos, duets, and ensembles for voice, Gail also composed four one-act operas, the most successful being Les deux jaloux, performed 196 times at the Théatre Feydeau at the Opéra-Comique. The popular opera-comique, La Sérénade, an important and successful collaboration with Sophie Gay a fellow pianist and composer, ran for 66 performances. Arias from this piece were even published separately and often sung successfully. Castile-Blaze praised both operas as “the best works in this genre that flowed from the pen of a woman.” Gail and Gay were the last women opera composers to have benefited from the empowering effects of Revolutionary times. The next generation of composers saw much greater repression.

Gail married Jean Baptiste Gail when she was 18-years-old and had a son, Jean Francois, a song writer and music critic. She eventually separated from her husband and never remarried. During the French Revolution, Gail depended on her contacts and collaboration with others to continue working as a professional musician. She died prematurely, only a year after the premiere of La Sérénade.


Music

 

1813, Les deux jaloux (opéra comique in one act for 2 voices)
Ma Fanchette est charmante (trio from Les deux jaloux)

1813, Mademoiselle de Launay à la Bastille (opéra-comique in one act)

1814, Angela ou L'atelier de Jean Cousin (1-act opera)

1814, La méprise (opéra comique in 1 act)

1818, La sérénade (opéra, 1-4 voices)

1813 Ma liberté, ma liberté (romance)

1807, N'est-ce pas elle (romance with piano accompaniment)

1814, Il est vrai que Thibaut mérite (romance)

1807, La jeune et charmante Isabelle (romance with female librettist)

1808, L’heure de soir (romance with piano and harp accompaniment)

1814, Les devoirs du chevalier, romance 

1815, Prière aux songes, (nocturne à deux voix with piano and harp accompaniment)

1815, Le souvenir du diable

Bolleros

Le Diable (chansonnette with piano)

A mes fleurs (with piano)

Les langueurs et le Le Serment (nocturnes with piano)

Plaisir amour ont fui loin de la France

 

Recordings


Sources

Jackson, Barbara Garvey. Say Can You Deny Me. The University of Arkansas Press, 1994.

Letzter, Jacqueline, and Robert Adelson. Women Writing Opera, Creativity and Controversy in the Age of the French Revolution, pg 39-42, 73. University of California Press, 2001.

Robinson, Philip. Women composers : Music through the Ages, Volume 4, edited by Sylvia Glickman & Martha Furman Schleifer. GK Hall, 1998. 

Sadie, Julie Anne, and Rhian Samuel. Norton Grove Dictionary of Women Composers, page 180. W.W. Norton, 1994.    

Bibliothèque Nationale Paris, scores